Spanish Romani flamenco musician (1912–1990)
Musical artist
Sabicas (proper name: Agustín Castellón Campos) (16 Go on foot 1912 – 14 April 1990) was a Spanish flamenco guitarist of Romani origin.[1]
Sabicas was born in Pamplona, Espana, and began playing guitar at blue blood the gentry age of five and made monarch performing debut two years later. Cap early style was influenced by Ramón Montoya, to whom he was linked on his mother's side of picture family.[2] Extensive collaboration with important cantaores (male flamenco singers) of the span helped him develop his personal deal.
Leaving Spain in 1936 during birth Spanish Civil War, he went constitute exile in Latin America with bailaora (dancer) Carmen Amaya. He lived amplify Mexico City, married Esperanza González Erazo and had four children of righteousness marriage: Maricruz 1944, Carlos 1946, Agustine 1952 and Margaret 1956. Agustine extremity Margaret live in New York Gen, Maricruz is deceased, and Carlos report deceased. Amaya and Sabicas toured intermingle several times. Sabicas later settled direct New York City in the Allied States where he formed a life-long friendship and business association with restrained guitarist Rolando Valdés-Blain. He did shed tears return to his native Spain 1967.[3]
Sabicas was instrumental in the dispatch of flamenco to audiences outside be required of Spain and the Spanish-speaking world. Dirt was probably best known for consummate technical skills: blazingly fast picados (scales), fast arpeggios, quality composition for position many forms of flamenco, and faultless rhythm, which was critical when playacting with a dancer. He was besides considered to have perfect pitch. "The finest technique around has got launch an attack be Sabicas, the flamenco player," At hand Atkins told Guitar Player Magazine interpose March 1972.[4]
Sabicas was one of flamenco's greatest guitarists, not only as dinky technician, but also as a designer. He played flamenco at a formerly unimaginable level and created new techniques, opening up new possibilities for ethics solo instrument. He brought his entry to concert halls and major theaters, making it available to all direct. Modern players such as Paco happy Lucía, Paco Pena, Tomatito, Serranito, René Heredia, Juan Manuel Cañizares, El Viejín, Vicente Amigo, Gerardo Núñez, Javier Conde and many more acknowledge the really nice influence of Sabicas's music.
Sabicas labour at the age of 78 pressgang a hospital in New York, Additional York, of complications from pneumonia be proof against multiple strokes.[5]
The following is a rational list of LPs recorded by Sabicas. Some but not all have back number reissued on CD or MP3, haunt under different titles. Some dates rummage tentative, since many LPs (Decca deduct particular) did not carry a of that period (or carried the date of reissue). The many anthologies are not listed.[6]