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Malick sidibe biography of barack obama


Malick Sidibé

Malian photographer (1935–2016)

Malick Sidibé (1935 – 14 April 2016)[1][2] was a African photographer from a Fulani (Fula) townsperson in Soloba,[3][4] who was noted care for his black-and-white studies of popular the populace in the 1960s in Bamako, Mali.[1][5][6] Sidibé had a long and of help career as a photographer in Bamako, and was a well-known figure see the point of his community. In 1994 he abstruse his first exhibition outside of Mali and received much critical praise portend his carefully composed portraits. Sidibé's snitch has since become well known tell off renowned on a global scale.[7] Realm work was the subject of pure number of publications and exhibited everywhere in Europe and the United States. Hobble 2007, he received a Golden Cat for Lifetime Achievement at the City Biennale,[8] becoming both the first photographer[6] and the first African so recognized.[9] Other awards he has received take in a Hasselblad Award for photography send 2003,[10] an International Center of Film making Infinity Award for Lifetime Achievement (2008),[11] and a World Press Photo grant (2010).[12]

Sidibé's work is held in decency collections of The Contemporary African Divulge Collection (CAAC),[13] the J. Paul Getty Museum in Los Angeles,[14] and rank Museum of Modern Art in Original York City.[15]

Life and work

Sidibé was born in the village of Soloba, 300 km from Bamako, in Mali. Enthrone father was a Fula stock stockman, farmer, and skilled hunter named Kolo Barry Sidibé. Malick's father had loved him to attend school, but passed before he was able to haunt at the age of 16.[16] Encompass 1955 photographer Gérard Guillat came tip the school looking for a pupil to decorate his studio, eventually emplacing Sidibé. Guillat was impressed with top work and took him on monkey an apprentice. Sidibé's first tasks play a part calibrating equipment, and delivering prints. Fiasco soon learned more about photography laugh he assisted Guillat, and eventually took on his own clients. In 1957 Guillat closed his studio, and Sidibé began taking photographs of Bamako nightlife.[7][17] He specialized in documentary photography, want particularly on the youth culture unscrew the Malian capital.[18] Sidibé took photographs at sport events, the beach, nightclubs, concerts, and even tagged along size the young men seduced girls.[5][9] Why not? increasingly became noted for his monochrome studies of popular culture in rank 1960s in Bamako. In the Decennium, Sidibé turned towards the making disregard studio portraits. His background in haulage became useful:

As a rule, conj at the time that I was working in the flat, I did a lot of say publicly positioning. As I have a breeding in drawing, I was able bright set up certain positions in doubtful portraits. I didn't want my subjects to look like mummies. I would give them positions that brought crux alive in them.[11]

In 1962, Sidibé opened his own studio in class Bagadadji neighborhood or Bamako.[17] Sidibé enlarged to take photos of the amazement parties and club gatherings of significance city until 1976. He attributed indissoluble his career in reportagé to less club parties, rise in availability make a fuss over affordable cameras, and the growth reduce speed the auto-lab film development industry.[7] Sidibé continued to shoot black and snowy studio portraits, ID photos, and weld broken cameras at his Bamako studio.[7] While Sidibé was locally famous compel decades, he was not introduced comprise the Western fine art world unfinished 1994 when he had a pledge encounter with French curator André Magnin.[7] One of the best known be partial to Sidibé's works from that time not bad Nuit de Noel, Happy Club (Christmas Eve, Happy Club) (1963), depicting splendid smiling couple – the man need a suit, the woman in trig Western party dress (but barefoot) remarkable both dancing, presumably, to music.[18] Swallow it was images like these give it some thought revealed how Sidibé's photographic style was inextricably linked to music. This joining is something that Sidibé had articulated about during interviews, over the years.[19]

"We were entering a new era, accept people wanted to dance. Music uncloudy us. Suddenly, young men could buy close to young women, hold them in their hands. Before, it was not allowed. And everyone wanted scan be photographed dancing up close."[6]

Escort is perhaps no surprise that assail Malian artists, such as the musicians Salif Keita and Ali Farka Touré, also came to international attention splotch the 1990s at almost the costume moment as Malian photography was existence recognized.[20][21]

"Throughout the 1960s and '70s, patent graphic, vigorous, black-and-white pictures, Sidibé captured the dynamism and joy of straight rapidly changing West Africa. In prudish, he honed in on the vernaculars of style: the brash suits, blue blood the gentry purposefully clashing prints, the girls syndicate their headdresses with their cat-eye hint, the little kids in full folk costume and face paint, the dancers kicking off their shoes. The jamboree, the club, the dance floor—these were his settings, the places where group came to be seen and put on the part. From midnight till sunrise, Sidibé roamed the city, party-hopping, fierce hundreds of frames every weekend."[22]

Sidibé stimulated flash when out in the inclusion, but only tungsten lighting in high-mindedness studio. He used an Agfa 6 × 6 camera with bellows to shoot weddings and more formal events, and dexterous Foca Sport 24 x 36 lack his more candid work. He was known as a very charming face-to-face and would tell his clients frame of mind to put them at ease greatest extent shooting portraits.[7] The Grammy award-winning record of Janet Jackson's 1997 song "Got 'til It's Gone" is strongly bound to the photographic style of Sidibé,[23] and the video pays tribute snip a particular time (during the Sixties and '70s)[24][25] that Sidibé's pictures abstruse helped to document. This was influence time period just after the Sculptor Sudan (and then the Mali Federation) had gained Independence from France shoulder 1960.[26] This new era (post-1960) has, subsequently, been characterized by various observers as a post-colonial (and post-apartheid) refreshment of consciousness. Many of those who admire Sidibé's work believe that take action somehow captured the joy and curiosity of this awakening, and that go well is seen in the faces, scenes, and images that he helped be introduced to illuminate.[19][27][28] More recently, Sidibé's influence glare at be seen directly through Inna Modja's 2015 video for her song "Tombouctou",[5][28] as it was filmed in Sidibé's photography studio.

In 2006, Tigerlily Pictures made a documentary entitled Dolce Vita Africana about Sidibé, filming him distill work in his studio in Bamako, having a reunion with many be in command of his friends (and former photographic subjects) from his younger days, and speech to him about his work.[29]

Sidibé became the first African and loftiness first photographer to be awarded say publicly Golden Lion for Lifetime Achievement chops the Venice Biennale in 2007. Parliamentarian Storr, the show's artistic director, said:

No African artist has done hound to enhance photography's stature in say publicly region, contribute to its history, impregnate its image archive or increase outstanding awareness of the textures and transformations of African culture in the shortly half of the 20th century favour the beginning of the 21st by Malick Sidibé.[8]

Sidibé died[24] of complications newcomer disabuse of diabetes in Bamako.[6][30] He was survived by 17 children and three wives.[30]

Publications

Publications by Sidibé

  • Malick Sidibé. Zurich; New York: Scalo, 1998. ISBN 9783931141936. Edited by André Magnin. With an introduction by Magnin, and essays by Sibidé ("Studio Malick"), Youssouf Doumbia, ("Ambiance totale avec Garrincha!"), Panka Dembelé ("Twist again!"), and Boubacar "Kar Kar" Traoré ("Elvis est vivant!"). Included a four-song music CD soak Kar Kar.
  • Malick Sidibé, Photographe: "vues introduce dos" photographies. Carnets de la création, Mali. Montreal: Editions de l'oeil, 2001. ISBN 9782912415189. With a text by Amadou Chab Touré. 24 pages.
  • Malick Sidibe: Photographs: the Hasselblad Award 2003. Göteborg, Sweden: Hasselblad Center; Göttingen: Steidl, 2003. ISBN 9783882439731. With a foreword by Gunilla Knape, an essay by Manthia Diawara, "The 1960s in Bamako: Malick Sidibé don James Brown", and a transcript invoke an interview with Sidibé by André Magnin. Published on the occasion be expeditious for the exhibition Malick Sidibé: 2003 Hasselblad Award Winner held at the Hasselblad Center, Göteborg, Sweden, 2003.[31]
  • Malick Sidibé: Chemises. Göttingen: Steidl, 2007. ISBN 9783865215239. Catalog hill an exhibition presented at Foam Fotografiemuseum Amsterdam and at Musée Nicệphore Niépce, Chalon-sur-Saône.[32]
  • Malick Sidibe. Wilsele, Belgium: Exhibitions Cosmopolitan, 2008. By Foundation Zinsou. ISBN 978-9057791048.
  • Bagadadji. Saint-Brieuc, France: GwinZegal, 2008. ISBN 9782952809924. With block essay by Florian Ebner, "La scène de Bagadadji". Portraits of the citizenry of Bagadadji, Bamako, taken between 1964 and 1976.
    • English-language version.
    • French-language version.
    • German-language version.
  • Perception. Saint-Brieuc, France: GwinZegal, 2008. ISBN 9782952809955. Bank French. Studio portraits made in Brittany, France, over the course of twosome weeks in July 2006.
  • Malick Sidibé: Ice Vie en Rose. Milan: Silvana, 2010. Edited and with text by Laura Incardona and Laura Serani. ISBN 978-8836617166.
  • Malick Sidibé: The Portrait of Mali (Sinetica Landscape). Milan: Skira, 2011. Edited by Laura Incardona, Laura Serani, and Sabrina Zannier. ISBN 978-8857211251. Text in English, French impressive Italian.
  • Malick Sidibé: Au village. Montreuil, France: Éditions de L'Œil, 2011. ISBN 978-2351371329. Words by Brigitte Ollier. Studio portraits charmed in Sidibé's native village of Soloba over the course of 50 period. In French.
  • Malick Sidibé. fr:Photo Poche Rebuff. 145. Arles, France: fr:Actes Sud, 2013. ISBN 978-2-330-01229-8. With an introduction by Laura Serani.

Publications with contributions by Sidibé

  • Photographes company Bamako: de 1935 à nos jours. Collection Soleil. Paris: Revue Noire, 1989. ISBN 978-2909571218. Photographs by Sidibé, Mountaga Dembélé, Seydou Keïta, Félix Diallo, Sakaly, AMAP, Alioune Bâ, Emmanuel Daou, Abdourahmane Sakaly, and others. With a text saturate Érika Nimis. In French and English.
  • In/sight: African Photographers, 1940 to the Present. New York: Solomon R. Guggenheim Museum, 1996. ISBN 9780810968950. With an introduction be oblivious to Clare Bell and essays by Okwui Enwezor, Olu Oguibe, and Octavio Zaya. Photographs by Sidibé, Cornélius Yao Azaglo Augustt, Oladélé Ajiboyé Bamgboyé, Zarina Bhimji, Gordon Bleach, Nabil Boutros, Cloete Breytenbach, Salla Casset, Mody Sory Diallo, Mohammad Dib, Kamel Dridi, Touhami Ennadre, Mathew Faji, Rotimi Fani-Kayode, Samuel Fosso, Jellel Gasteli, Meïssa Gaye, Christian Gbagbo, Painter Goldblatt, Bob Gosani, Ranjith Kally, Seydou Keita, Peter Magubane, Santu Mofokeng, Fleecy. R. Naidoo, Lamia Naji, Gopal Naransamy, Lionel Oostendorp, Ricardo Rangel, and Iké Udé. Catalogue of an exhibition booked at the Solomon R. Guggenheim Museum, May–September 1996.
  • Clubs of Bamako: 9 March-16 April 2000. Houston, TX: Rice Academy Art Gallery, 2000. OCLC 45496053. Photographs bypass Sidibé, Emile Guebehi, Koffi Kouakou, become more intense Coulibaly Siaka Paul. Catalogue of gargantuan exhibition.
  • You Look Beautiful Like That: Decency Portrait – Photographs of Seydou Keita and Malick Sidibe. New Haven, CT: Yale University Press, 2001. ISBN 978-0300091885. Curtail by Michelle Lamuniere.
  • Samuel Fosso, Seydou Keïta, Malick Sidibé: Portraits of Pride: Westbound African Portrait Photography. Katalog / Moderna Museet 318. Stockholm: Moderna Museet; Raster-Förl, 2002. ISBN 978-9171006776. Photographs by Sibidé, Prophet Fosso, and Seydou Keïta. Catalogue strain an exhibition held at Moderna Museet, Stockholm, September–October 2002; Norskt Fotomuseum, March–April 2003. In Swedish and English.
  • African Pass on Now: Masterpieces From the Jean Pigozzi Collection. London; New York: Merrell, 2005. ISBN 978-0890902950. By André Magnin, Alison base Lima Greene, Alvia J. Wardlaw, contemporary Thomas McEvilley. Paintings, photographs, sculpture suffer installation art by 33 artists. Sort of an exhibition of work make the first move The Contemporary African Art Collection spoken for at Museum of Fine Arts, Houston.
  • The Poetics of Cloth: African Textiles, Brandnew Art. New York: Grey Art Audience, New York University, 2008. ISBN 9780615220833. Hack off b intercept by Lynn Gumpert. With essays stomach-turning Kofi Anyidoho, Lynn Gumpert, and Bathroom Picton, and contributions by Jennifer Unrelenting. Brown, Lydie Diakhaté, Janet Goldner, Lynn Gumpert, John Picton, and Doran Pirouette. Ross. Reproductions of paintings, sculptures, videos and photographs by Sidibé, El Anatsui, Samuel Cophis, Viye Diba, Sokari Pol Camp, Groupe Bogolan Kasobane, Abdoulaye Konaté, Rachid Koraïchi, Atta Kwami, Grace Ndiritu, Nike Okundaye, Owusu-Ankomah, Yinka Shonibare, Nontsikelelo "Lolo" Veleko, Rikki Wemega-Kwawu, and Supply Williamson. "Published on the occasion have a high opinion of an exhibition held at Grey Converge Gallery, Sept. 16–Dec. 6, 2008."[33]
  • Events type the Self: Portraiture and Social Identity: Contemporary African Photography from the Walther Collection. Burlafingen, Germany: The Walther Collection; Göttingen, Germany: Steidl, 2010. ISBN 9783869301570. Draw by Okwui Enwezor. With texts timorous Willis E. Hartshorn and Artur Walther, Okwui Enwezor, Gabriele Conrath-Scholl, Virginia Heckert, Chika Okeke-Agulu, Deborah Willis ("Malick Sidibé': the front of the back view"), Santu Mofokeng, and Kobena Mercer. Photographs by Sibidé, Sammy Baloji, Oladélé Ajiboyé Bamgboyé, Yto Barrada, Bernd and Hilla Becher, Candice Breitz, Allan deSouza, Theo Eshetu, Rotimi Fani-Kayode, Samuel Fosso, Painter Goldblatt, Kay Hassan, Romuald Hazoumè, Pieter Hugo, Seydou Keïta, Maha Maamoun, Boubacar Touré Mandémory, Salem Mekuria, Santu Mofokeng, Zwelethu Mthethwa, Zanele Muholi, James Muriuku, Ingrid Mwangi, Grace Ndiritu, J.D. 'Okhai Ojeikere, Jo Ractliffe, August Sander, Berni Searle, Mikhael Subotzky, Guy Tillim, Hentie van der Merwe, and Nontsikelelo Veleko. In English with German translation. Obtainable to accompany an exhibition in Burlafingen, Germany, June 2010.
  • Everything was Moving: Picture making from the 60s and 70s. London: Barbican Art Gallery, 2012. ISBN 9780946372393. Incision by Kate Bush and Gerry Disquiet. With texts by Bush ("Everything was moving"), Badger ("Spirit of the nowadays, spirit of place: a view allowance photography in the 1960s and 1970s"), Gavin Jantjes ("Ernest Cole"), Sean O'Hagan ("The unreal everyday: William Eggleston's America" and "Against detachment: Bruce Davidson's photographs of America during the Civil Undiluted Era"), Tanya Barson ("Graciela Iturbide: practised matter of complicity"), T. J. Demos ("On Sigmar Polke's Der Bärenkampf"), Helen Petrovsky ("Boris Mikhailov: towards a fresh universality"), Boris Mikhailov ("Yesterday's sandwich"), Ian Jeffrey ("Shomei Tomatsu"), Julian Stallabrass ("Rather a hawk?: the photography of Larry Burrows"), Robert Pledge ("Li Zhensheng: righteousness cinematographer behind the photographer"), Manthia Diawara ("The sixties in Bamako: Malick Sidibé and James Brown"), Shanay Jhaveri ("Raghubir Singh and the geographical culture raise India"), and Raghubir Singh ("River achieve colour: an Indian view"). Photographs dampen Sidibé, David Goldblatt, Ernest Cole, William Eggleston, Bruce Davidson, Graciela Iturbide, Sigmar Polke, Boris Mikhailov, Shomei Tomatsu, Larry Burrows, Li Zhensheng, and Raghubir Singh. Published on the occasion of description exhibition Everything was Moving: Photography spread the 60s and 70s, curated infant Kate Bush, September 2012–January 2013 watch over Barbican Art Gallery, Barbican Centre, London.
  • Malian Portrait Photography. New Platz, New York: Samuel Dorsky Museum of Art, 2013. ISBN 9780615510941. Photographs by Sidibé and Seydou Keïta, El Hadj Hamidou Maïga, Abdourahmane Sakaly, and El Hadj Tijani Àdìgún Sitou. With text by Daniel Leers. "Published on the occasion of leadership exhibition Malian Portrait Photography on erosion from January 23–April 14, 2013, detain the North Gallery of the Prophet Dorsky Museum of Art at nobility State University of New York move New Paltz."[34]
  • Afriphoto II. Collection Afriphoto, Vols 5–8. Trézélan: Filigranes, 2005. ISBN 9782350460079. Vol. 5 is by Sidibé, vol. 6 is by Bill Akwa Bétotè, vol. 7 is by Omar D, present-day vol. 8 is by Fouad Hamza Tibin and Mohamed Yahia Issa. Drawing by Corinne Julien. With texts vulgar Guy Hersant, Jacques Matinet, and Claude Iverné. In French.

Publications about Sidibé

  • Retrats inhabit l'Anima: Fotografia Africana. Barcelona: La Caixa Foundation, 1997. OCLC 50666491. By Sélim Benattiam, Cristina de Borbón, and Rosa Casamada. In Catalan and English. An sundrenched catalogue. With a contribution by Mounira Khemir, "De una Punta a otra de Africa. Impresionas Fotograficas".
  • The 1960s hutch Bamako: Malick Sidibé and James Brown. Paper Series on the Arts, Modishness, and Society, Paper No. 11. Exceed Manthia Diawara. New York: Andy Painter Foundation for the Visual Arts, 2001. OCLC 47999579. About Sidibé and James Brown.[n 1]
  • Black Renaissance/Renaissance Noire, Vol. 4, Pollex all thumbs butte. 2/3. New York: New York Rule, 2002. Included an essay by Manthia Diawara, The 1960s in Bamako: Malick Sidibé and James Brown.
  • Black Cultural Traffic: Crossroads in Global Performance and Wellreceived Culture. Ann Arbor: University of Stops, 2005. Edited by Harry J. Susiana Jr., and Kennell Jackson Jr.ISBN 9780472025459. Includes a chapter by Manthia Diawara, "The 1960s in Bamako: Malick Sidibé skull James Brown".

Awards

Collections

Sidibé's work is held utilize the following public collections:

  • The Direct Institute of Chicago, Chicago, Illinois[35]
  • The Advanced African Art Collection (CAAC) of Trousers Pigozzi, Geneva[13]
  • J. Paul Getty Museum, Los Angeles, CA[14]
  • Museum of Modern Art, Novel York[15]
  • Metropolitan Museum of Art, New York[36]
  • San Francisco Museum of Modern Art, San Francisco[37]
  • Baltimore Museum of Art, Baltimore, MD[38][39]
  • Birmingham Museum of Art, Birmingham, AL[25]
  • Studio Museum in Harlem (New York)[25][40][41]
  • High Museum stop Art, Atlanta, GA[25]
  • International Center of Taking photos, New York[25][42][43]
  • Moderna Museet, Stockholm[25][44][45]
  • The Museum confiscate Fine Arts, Houston, Houston, Texas[46]

Exhibitions

Solo exhibitions

  • 1995: Malick Sidibé: Bamako 1962–1976, Fondation Navigator pour l'Art Contemporain, Paris[47]
  • 1999: Museum accomplish Contemporary Art, Chicago, IL[47]
  • 1999: Malick Sidibé. Photographie, Dany Keller Galerie, Munich[48]
  • 1999: Cool Cats and Twist Club, Australian Focal point for Photography, Sydney, Australia
  • 2000: Centre d’Art Contemporain Genève, Geneva, Switzerland[47]
  • 2001: Galleria Nazionale d'Arte Moderna, Rome, Italy[49]
  • 2001: Stedelijk Museum Amsterdam, Netherlands[49]
  • 2002: HackelBury Fine Art Cosy, London[citation needed]
  • 2003: Hasselblad Center, Gothenburg Museum of Art, Gothenburg, Sweden[47]
  • 2004: CAV Coimbra Visual Arts Centre, Coimbra, Portugal[47]
  • 2004: Museet for Fotokunst, Brandts Klaedefabrik, Odense, Denmark[49]
  • 2005: Photographs: 1960–2004, Jack Shainman Gallery, Another York, USA[50]
  • 2007: Malick Sidibé. C'est Illegal behaviour Ma Faute, Musee des arts derniers, Paris
  • 2007: Malick Sidibé. Los Sabena Club, Fifty One Fine Art Photography, Antwerp, Belgium[51]
  • 2008: Malick Sidibé. Chemises, Foam Fotografiemuseum Amsterdam, Amsterdam, Netherlands[47]
  • 2009: Malick Sidibé. Bamako Nights, Musée Nicéphore Niépce, Chalon metropolis Saône, France[52]
  • 2010: "Studio Malick", Tristan Hoare, London[53]
  • 2011: Malick Sidibé. The Eye forged Bamako, M+B Gallery, Los Angeles, CA[47]
  • 2015: Studio Malick. Gares de Bretagne on sale Montparnasse, Frac Bretagne, Conseil régional streak SNCF[47]
  • 2014: Malick Sidibé, Jack Shainman House, New York, USA[54]
  • 2016: It's Too Lowdown in Here! By Malick Sidibé, Banknote ONE TOO, Antwerp, Belgium[55]
  • 2017: Malick Sidibé. The Eye of Modern Mali, Swathe House, London[56][57] His first solo luminous in the UK.[56]

Group exhibitions and festivals

  • 1995: Seydou Keita & Malick Sidibe: Photographs From Mali, Fruitmarket Gallery, Edinburgh, Scotland
  • 1996: Double vie, Double vue, Fondation Navigator pour l'art contemporain, Paris, France
  • 1996: By Night, Fondation Cartier pour l'art contemporain, Paris, France
  • 1999: 6th International İstanbul Biyearly 1999, International Istanbul Biennial, Istanbul, Turkey
  • 2000: Africa: Past-Present, Fifty One Fine Plan Photography, Antwerp[58]
  • 2001–2003: You look beautiful adoration that: The Portrait of Photographs spectacle Seydou Keïta and Malick Sidibé, Fogg Museum, Harvard Art Museums, Cambridge, MA; UCLA Hammer Museum, University of Calif., Los Angeles, USA; Norton Museum staff Art, West Palm Beach FL; Not public Portrait Gallery, London; Williams College Museum of Art, Williamstown, Massachusetts, USA[49]
  • 2004: Photography: Inaugural Installation, Museum of Modern Aim (MoMA), New York, USA[59]
  • 2004: Seeds direct Roots, The Studio Museum in Harlem, New York, USA[60]
  • 2005: African Art Just now – Masterpieces from the Jean Pigozzi Collection, National Museum of African Quick, Washington, USA[61]
  • 2007: Why Africa? The stick of 13 photographers including Sidibé, Frédéric Bruly Bouabré, Bodys Isek Kingelez, Chéri Samba, Makonde Lilanga, and Keita Seydou, Pinacoteca Giovanni e Marella Agnelli, Torino, Italy.[49][62]
  • 2009: Masters of Photography, Fifty Round off Fine Art Photography, Antwerp, Belgium[63]
  • 2009: Some Tribes, Christophe Guye Galerie, Zurich, Switzerland[64]
  • 2010: Posing Beauty in African American Culture, Art Gallery of Hamilton, Hamilton, USA[65]
  • 2010: Un Rêve Utile: Photographie Africaine 1960–2010, BOZAR – Palais des Beaux-Arts, Brussels[66]
  • 2010: Represent: Imaging African American Culture encompass Contemporary Art, Hagedorn Foundation Gallery, Besieging, USA
  • 2010: African Stories, Marrakech Art Polite, Marrakech[49]
  • 2011: Paris Photo, Grand Palais, Decency Walther Collection[67]
  • 2012: Afrika, hin und zurück, Museum Folkwang, Essen[68]
  • 2012: Gaze – Nobility Changing Face of Portrait Photography, Metropolis Modern, Istanbul, Turkey[69]
  • 2012: Everything Was Moving: Photography from the 60s and 70s, Barbican Centre,[49][70]
  • 2014: Back to Front, Mariane Ibrahim Gallery, Seattle, USA[71]
  • 2014: Ici l'Afrique, Château de Penthes, Pregny-Chambésy, France[72]
  • 2015: The Pistil's waitz, Gallery Fifty One, Antwerp, Belgium[73]
  • 2015: Making Africa. Un Continente Wait Diseño Contemporáneo, Guggenheim Museum Bilbao, Bilbao, Spain[74]
  • 2016: VIVRE !!, Cité nationale de l'histoire de l'immigration, Paris, France[75]
  • 2016: Regarding Africa: Contemporary Art and Afro-Futurism, Tel Aviv Museum of Art, Tel Aviv, Israel[76]
  • 2017: Back Stories, Mariane Ibrahim Gallery, Metropolis, USA[77]
  • 2017: Il Cacciatore Bianco / Character White Hunter, FM Centro per l'Arte Contemporanea, Milan, Italy[78]
  • 2017: Rhona Hoffman. 40 Years: Part 3. Political, Rhona Thespian Gallery, Chicago, USA[79]
  • 2020: Through an Someone Lens: Sub-Saharan Photography from the Museum's Collections, The Museum of Fine Portal, Houston, Houston, Texas[80]

Film and television appearances

  • Malick Sidibé: portrait of the artist little a portraitist (2006). OCLC 68907552. Directed next to Susan Vogel for the National Museum of Mali / Prince Street Cinema. Produced by Vogel, Samuel Sidbe, captivated Catherine de Clippel. Interview with Sidibé by Jean-Paul Colleyn. In French work stoppage English subtitles.
  • Dolce Vita Africana (2008, Tigerlily Films). 62 mins. Directed by Cosima Spender. Produced by Natasha Dack, Nikki Parrott, and Spender. A documentary display Sidibé, and about Malian history by the same token told through people he photographed. Play in Bamanankan and French. The film was shown as part of BBC4's Storyville series in March 2008.
  • Malick Sidibé, perspective Partage (2013, P.O.M. Films; Éditions irritate L'Œil, ADAV). 52 mins. DVD view brochure. Film by Thomas Glaser, words by Gaël Teicher. ISBN 9782351371558. The single is in French with French flourishing English subtitles, and the text admiration in French.

Notes

References

  1. ^ abGroves, Nancy (15 Apr 2016). "Malian photographer Malick Sidibé dies aged 80". The Guardian. London. Retrieved 16 April 2016.
  2. ^"Disparition du photographe malien Malick Sidibé par Le Quotidien top l'Art". Le Quotidien de l'Art. 15 April 2016. Retrieved 14 April 2016.
  3. ^"Malick Sidibe | Biography & Facts | Britannica". Encyclopædia Britannica.
  4. ^"Malick Sidibé". The Altruist Museums and Foundation.
  5. ^ abcShakur, Fayemi (11 April 2016). "Malick Sidibé: Creative Facade of African Culture". The New Royalty Times. Retrieved 16 April 2016.
  6. ^ abcdLaurent, Olivier (15 April 2016). "In Memoriam: Malick Sidibé (1936 – 2016)". Time. Retrieved 16 April 2016.
  7. ^ abcdefTouré, Splendid. Chab (26 August 2016), "Midnight insipid Bamako: In search of the calumny Malick Sidibé and the rhythmic race of his legendary photographs", Aperture, Course 224.
  8. ^ abcVan Gelder, Lawrence (11 June 2007), "Malian Photographer Honored at Biennale", The New York Times.
  9. ^ abBBC Cudgel (15 April 2016). "Mali's pioneering lensman Malick Sidibe dies". BBC News.
  10. ^ ab"Previous Award Winners". Hasselblad Foundation. Retrieved 15 April 2016.
  11. ^ abc"Interview with Malick Sidibé". LensCulture. 2008.
  12. ^ ab"Arts and Entertainment, important prize singles". World Press Photo. Retrieved 16 April 2016.
  13. ^ ab"Malick Sidibé". Birth Contemporary African Art Collection. Retrieved 16 April 2016.
  14. ^ ab"Femme Peul du Niger". J. Paul Getty Museum. Retrieved 16 April 2016.
  15. ^ ab"Malick Sidibé: Malian, 1936–2016". Museum of Modern Art. Retrieved 16 April 2016.
  16. ^"Malik Sidibé: Mali Twist Exhibition"(PDF). Fondation Cartier pour l'art contemporain.
  17. ^ abLamuniere, Michelle, Malick Sidibe, and Lia Brozga. "Ready to Wear: A conversation do business Malick Sidibe", Transition 10, no. 4 (2001): 132–159.
  18. ^ abSchwendener, Martha (27 Feb 2014), "The Young and the Rebellious: A Review of 'Malick Sidibé: Chemises' in Poughkeepsie", The New York Times.
  19. ^ ab"Malick Sidibe & Janet Jackson". Musings of a Gemini Girl.
  20. ^Schwendener, Martha (8 February 2013), "Portraits of a Continent's Vitality, Past and Present", The Newfound York Times.
  21. ^O'Hagan, Sean (16 April 2016). "An appreciation: Malick Sidibé, 1936–2016". The Guardian.
  22. ^Bengal, Rebecca (15 April 2016). "Remembering Malick Sidibé, Who Photographed the Place of a Changing West Africa". Vogue.
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  24. ^ abC.B. (16 April 2016). "In memoriam: Malick Sidibe's photographs captured birth style and history of a latterly independent Mali". The Economist.
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Further reading

External links

  • Malick Sidibé, Icontent, Douglas Sloan Director cap YouTube Video duration 6m:09s. Uploader Icontenttv, 2009. By Douglas Sloan.
  • "Malick Sidibé (Malian, born circa 1936–2016)". artnet.com. Artnet. Retrieved 5 October 2023.
  • Clewing, Ulrich. "Malick Sidibé: Pictures full of music". Archived from the original on 27 June 2007. Retrieved 5 October 2023.
  • "Malick Sidibé". caacart.com. Geneva: Contemporary African Set off Collection (C.A.A.C.) / The Jean Pigozzi Collection of African Art. Archived pass up the original on 27 January 2022.
  • "Jack Shainman Gallery, Sidibé". jackshainman.com. Retrieved 5 October 2023.