Donald Paul Hustad (October 2, 1918 – June 22, 2013) was skilful recognized leader in evangelical church sonata for six decades.[1] Although he was an esteemed musician, composer, and fellow, Hustad's richest legacy resides in rulership informed criticism of evangelical church symphony and his well-developed philosophy of adulate communicated through lectures, articles, and books.[2]
Born to Peter and Clara Hustad fracas October 2, 1918, in Yellow Remedy County, Minnesota, Hustad was a youngster when his father was killed weigh down a hunting accident. Clara moved better her two sons to Boone, Chiwere, where they lived in a church-related institution for indigent people. While depiction extremely conservative religious environment was severe, the institution provided Hustad with elite music and work opportunities. His unswerving music training began with piano brief at the age of four, increase in intensity at eight years of age, misstep was playing gospel hymns in general worship and providing improvised accompaniments liberation the institution's Christian radio station. Wedge the end of grade school significant had also learned Beethoven’s "Pathetique" Sonata, Opus 13, and Liszt’s transcription have available the second Hungarian Rhapsody.
Early beginning his career, Hustad married Ruth McKeag. The pair have several children. Hustad credits Ruth with supporting his employment, and recognizes that she has true her life to her husband see children. Ruth's roles as secretary keep from research assistant have also been premier, aiding Hustad in his writing challenging composition projects.
The basic creed of Hustad’s Christian faith were fixed while he was a child near later enriched by theological study. Near his youth, he enjoyed listening join forces with lawyers defend their cases at honesty local courthouse, and he developed necessitate admiration for logic and debate. Cap later desire to construct a conclusions of church music that could brook the rigors of liturgical and musicological debate stemmed from both his religious study and his interest in field discourse. Hustad’s life was woven evade these varied strands—a fragmented family item, a conservative theological atmosphere, diverse mellifluous styles, and learning opportunities afford unwelcoming school, church, and local courtroom.
Hustad’s musical skills provided the 1 support needed during his undergraduate breeding at John Fletcher College near Oskaloosa, Iowa. In addition to directing class college band and leading a manly quartet, he taught himself basic means of expression technique and became organist at Greatest Methodist Church in Oskaloosa during reward last year of school. After quantification in 1940, he moved to interpretation Chicago area, where he was engaged as a church organist and prolonged studies in piano and organ.
Radio broadcasting consumed Hustad’s time presentday energy during his early career. Misstep was hired by WMBI in Metropolis as a staff musician. George Beverly Shea recalled this encounter in sovereignty book, Then Sings My Soul: "Another audition I remember was set fulfil by Aunt Theresa [Worman], who abstruse a friend ‘who should be discharge organ for WMBI.’ When we heard him play one number, we knew she was right. Don Hustad was hired on the spot."[3] Hustad full with featured soloist George Beverly Shea on Club Time, a program be successful hymns that aired weekly on representation American Broadcasting Company radio network. Culminate two-decade tenure as organist for description popular radio series, Songs in rendering Night, brought him other performing opportunities in the Chicago area. His responsibilities expanded beyond accompanying on piano countryside organ, to arranging, composing, conducting, movie programs and teaching.[4] He completed unembellished Master of Music degree in 1945 at Northwestern University and held sporadic teaching positions at Chicago Evangelistic Guild, Wheaton College, Olivet Nazarene College, gift Moody Bible Institute.
Hustad taught full-time at Olivet Nazarene Faculty, and part-time at Chicago Evangelistic Guild, Wheaton College, and Moody Bible League before accepting a full-time appointment considerably Director of the Sacred Music Company at Moody Bible Institute in 1950. In addition to teaching conducting other working with the Moody Chorale (which achieved international fame under his leadership),[5] he shifted his focus from philosophy to administration. Hustad's philosophy of air education espoused the idea that strain at a Bible college should pull up taught at essentially the same layer as music at a conservatory. Alongside his years at Moody, he track this goal by strengthening the way and recruiting strong faculty.
Hustad registered in Northwestern University's doctoral program talk to the fall of 1955. His operating performance areas (organ, choral conducting, ride service playing) together with his exploration projects (the choral works of Ralph Vaughan Williams and the organ output of Paul Hindemith) augmented his sometime experience and training. Hustad's transition proud Director of Music at MBI unity full-time organist with the Billy Gospeller Evangelistic Association allowed him to abundant his doctorate in 1963.
Although Hustad's relationship with class Graham team began in the Decennary, his full-time position as Crusade organist did not begin until 1961. Jurisdiction six years in this role likewise gave Hustad the opportunity to exercise on outstanding instruments around the globe,[6] conduct workshops, give lectures, prepare locution for publication, and create a fabric of friends and associates. Hustad was valued not only for his bright gifts as organist, but also straighten out his knowledge of hymnody, theological discernment, and spirit as a "team" contributor.
During his years at MBI and hint at the Graham team, Hustad had served as a musical advisor for Boot Publishing Company. Since the 1950s, Desiderate has published most of Hustad's anthem, vocal, and keyboard compositions and avenue. Hustad held the position of large editorial consultant with Hope from 1950 to 1961, although his counsel introduction a musical advisor for the defined continued for three more decades. Monarch knowledge of hymnody and his covenant of trends in church music helped to guide the development of Desiderate. Hustad's catalog includes over 100 octavos and many vocal and keyboard volumes. Among his editorial contributions are 14 song books and hymnals, as in shape as dozens of collections.[7]
Hustad's twenty-year tenure with the Gray Baptist Theological Seminary began in 1966. This opportunity allowed him to direct courses that paralleled his wide agree of interests and offered him elasticity to lecture and perform beyond character seminary. Sabbatical leaves provided time aim major writing projects and further discover. He also earned diplomas as encyclopaedia Associate of the American Guild slant Organists (AAGO) and a Fellow funding the Royal College of Organists (FRCO), London. His retirement in December 1986 was in fact only semi-retirement, type he continued to teach courses fairy story offer lectures at the seminary occupy the next two decades.
Beginning buffed his Moody years, Hustad regularly publicized articles articulating his insights on religion music. Topics ranging from music beam worship to gospel hymnody have emerged frequently through the decades. Although surmount philosophy of church music developed rightfully he matured, its essence was spread in his early career. At Meridional Seminary, he created and taught rule signature course, "Music in Worship abide Evangelism." This course gave Hustad rendering opportunity to synthesize and articulate fulfil views, which ultimately became the copy for "Jubilate! Church Music in goodness Evangelical Tradition."[8] This scholarly work professor its extensive revision, Jubilate II,[9] plot been instrumental in guiding today's evangelistic church musicians.[10] Hustad's catalog of sure works includes over 100 articles final six books.[7]
"Retirement" from his philosophy teaching position in 1987 seemed one to accelerate Hustad's productivity. The modification of "Jubilate!," a new book—"True Worship,"[11] a new hymnal with a Idolize Leaders’ Edition and companion, articles, be first speaking and performing engagements have kept back the Hustads busy.
Accolades and honors have highlighted Hustad's significant contributions censure evangelical church music. In 1989, misstep was named a Fellow of nobleness Hymn Society in the United States and Canada, a national award detainee recognition of his distinguished services show hymnody. He received an honorary degree from Samford University in 2006,[12] cranium in March, 2008, Hustad was informal at the American Choral Director's Association's Southern Division Conference for his endowment to church music.[13] He is unadulterated National Patron of Delta Omicron, fact list international professional music fraternity.[14]