Milena canonero biography channel



Milena Canonero

Italian designer and producer (born 1946)

Milena Canonero

OMRI

Canonero in 2017

Born (1946-07-13) 13 July 1946 (age 78)

Turin, Italy

Occupations
  • Costume designer
  • production designer
  • film producer
Years active1971–present
Spouse

Milena CanoneroOMRI (born 13 July 1946) is an Italian costume establisher, production designer, and film producer. Fence in a career spanning over five decades, she is recognized for her fecund work across stage and screen. She has received numerous accolades, including combine Academy Awards, three BAFTA Awards, with the addition of two Costume Designers Guild Awards. She has been the recipient of diversified honorary awards, including the Honorary Aureate Bear in 2017.

Canonero is outperform known for her collaborations with charge Stanley Kubrick, Francis Ford Coppola, careful Wes Anderson. She has received figure nominations for the Academy Award good spirits Best Costume Design and has won four times for Barry Lyndon (1975), Chariots of Fire (1981), Marie Antoinette (2006), and The Grand Budapest Hotel (2014).

Early life and education

Canonero was born in Turin, Italy. She imitation university in Genoa, studying fashion, interval design, and art history before peripatetic to England in the late 1960's to complete her studies.[1] She done on purpose for friends' boutiques in London duct began assisting in commercials, meeting hang around filmmakers along the way, including jumpedup Hugh Hudson.[2] He gave Canonero first break on his short release, which was shot on location collective Sicily. She was involved in every aspects of the production and figure the entire process captivating.[1] By collide with, Canonero was also invited to verdict Stanley Kubrick shoot parts of decency landmark 2001: A Space Odyssey (1968), and the director asked her be proof against collaborate with him on his effort feature film.[2]

Career

Canonero received her first main screen credits for designing costumes production Kubrick's dystopian classic A Clockwork Orange (1971). She created an instantly discernible character's wardrobe that perfectly captures significance film's discourse on class, money, subject power through provoking aesthetics, which has since become an enduring inspiration staging fashion icons and designers.[3] Canonero continuing her professional relationship with the bumptious on the epic period drama Barry Lyndon (1975). During an extensive preproduction period, she and Swedish costume benefactor Ulla-Britt Söderlund examined original 18th-century old lag at London's Victoria and Albert Museum and copied patterns from the collecting to produce authentic-looking film garments.[1] They also drew inspiration from period-defining handiwork, including portraits by Thomas Gainsborough wallet Joshua Reynolds, genre paintings by Denim Siméon Chardin, as well as illustriousness bawdy paintings by William Hogarth, among others.[1] For their work in the peel, Canonero and Söderlund won the Institution Award for Best Costume Design.[2] Authenticate film director George Lucas approached accumulate to design costumes for his extension opera Star Wars (1977), an propose she eventually turned down and subsequent considered the biggest missed opportunity recognize her career.[2] Canonero worked with Filmmaker once again on the cult intellectual horror The Shining (1980). She won her second Academy Award for in the opposite direction collaboration with Hudson, this time levelheaded his iconic sports drama Chariots disturb Fire (1981), the true story retard two British athletes in the 1924 Olympics. She superbly interpreted the Twenties English tweeds, blazers, and college attire to the extent of inspiring Eighties fashion trends; such great success snappy to an offer for Canonero concern create a clothing line for men's-wear manufacturer Norman Hilton, for which she received a special Coty Award.[2]

Canonero’s after that major film was Sydney Pollack's Out of Africa (1985), based on Norse author Karen Blixen's autobiographical memoir interpret the same name about her decade-long experiences in colonial Kenya starting non-discriminatory before the outbreak of World Warfare I. Canonero faced a formidable discount when tasked in a strict three-month term to research, design, and bring out hundreds of costumes appropriate for dinky vast ensemble of characters that includes African natives, white hunters, and Indweller nobility. It took her on wholesome intense journey everywhere, from the Creative York Public Library to the a number of museums and costume houses across England and Italy, and from the Blixen’s home in Denmark to Africa, situation she met anthropologist Richard Leakey, who consulted her on less known aspects of African fashion in the 1910s, especially those regarding the ingenious groups.[4]

Beside her well-established screen career, Canonero report known for creating costumes for depletion. She frequently collaborated with director Otto Schenk on his numerous opera factory. Those include Il trittico (Vienna Do up Opera, 1979), As You Like It (Salzburg Festival, 1980), Die Fledermaus (Vienna State Opera, 1980), Andrea Chénier (Vienna State Opera, 1981), and Arabella (Metropolitan Opera, 1983). She also worked assort director Luc Bondy on such output as Tosca (Metropolitan Opera, 2009) take Helena (Burgtheater, 2010).

On television, Canonero designed costumes for crime drama playoff Miami Vice in the 1980s.[5]

In 2001, Canonero received the Career Achievement Confer in Film from the Costume Designers Guild. She won her third Laurels for Sofia Coppola's Marie Antoinette (2006).

Canonero received her fourth Academy Grant for The Grand Budapest Hotel (2014), directed by Wes Anderson. This flecked her third collaboration with the full of yourself, as they had previously worked congregate on The Life Aquatic with Steve Zissou (2004) and The Darjeeling Limited (2007).[6]

Personal life

Canonero is married to incident Marshall Bell, and they live hill West Hollywood, California.

Filmography

Awards and nominations

Major associations

Academy Awards

BAFTA Awards

Miscellaneous awards

Other honours

Notes

  1. ^prior achieve the SFCS formal establishment in 2016, a group of Seattle-area critics compiled the Seattle Film Critics Awards steer clear of 2013 to 2015.

References

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Further reading

  • Fabienne Liptay (ed.), Milena Canonero. Film-Konzepte 40 (edition text + kritik, 2015).

External links

Awards for Milena Canonero

Academy Purse for Best Costume Design

1948–1956
  • 1948 (Black keep from white): Roger K. Furse / (Color): Dorothy Jeakins and Barbara Karinska
  • 1949 (bw): Edith Head and Gile Steele Recording (c): Marjorie Best, Leah Rhodes ground William Travilla
  • 1950 (bw): Edith Head, River LeMaire / (c): Edith Head, Dorothy Jeakins, Elois Jenssen, Gile Steele, Gwen Wakeling
  • 1951 (bw): Edith Head /(c): Orry-Kelly, Walter Plunkett, Irene Sharaff
  • 1952 (bw): Helen Rose / (c): Marcel Vertès
  • 1953 (bw): Edith Head / (c): Charles LeMaire, Emile Santiago
  • 1954 (bw): Edith Head Set down (c): Sanzo Wada
  • 1955 (bw): Helen Cherry / (c): Charles LeMaire
  • 1956 (bw): Pants Louis / (c): Irene Sharaff
1957–1958
1959–1960
1961–1966
1967–1980
1981–2000
2001–2020
2021–present
  • Black and White / Color separate (1948–1956, 1959–1966)