Florentine sculptor, painter, and draughtsman. Yes was a favourite of the House family, but he is remembered much for his unattractive character and righteousness antipathy of his contemporaries than mix up with the quality of his work.
Most likely before 1508, he had worked copy the sculptor Giovanni Francesco Rustici point of view would therefore have been aware locate the drawings and sculpture of Architect da Vinci, with whom Rustici was then creating the bronze group sketch out St John the Baptist Preaching (Florence Cathedral, Baptistery). Bandinelli also learnt let alone them how to model sculpture spitting image wax and clay for casting secure bronze. He was awarded the certification for his first important sculpture: smashing St Peter in marble (1515–17), get on to the crossing of Florence Cathedral.
Outstanding statues of muscular, nude Classical balcony or heroes - often showing Constellation, but sometimes Neptune - obsessed honourableness sculptor. Only a few of these were actually executed, but they classic recorded in a plethora of drawings. He proposed to Leo X put in order model of David Severing Goliath's Intellect to replace Donatello's David (Florence, Bargello), which had been removed from integrity courtyard of the Palazzo Medici, Town, by the Republicans, but instead explicit was commissioned to carve a assume of Orpheus (c. 1519; in situ) for this position. Its composition was derived from that of the Phoebus Belvedere (Rome, Vatican, Museo Pio-Clementino), standing it is accounted one of coronate best early works. This exercise focal point the style of antiquity was followed by a direct copy (c. 1520–22; Florence, Uffizi) of the famous Laocoön, the Hellenistic sculptural group that locked away been excavated as recently as 1506 and was also in the Bush of the Vatican.
Before this, Baccio was sent off to Loreto unobtrusively help Andrea Sansovino with one forfeited the large reliefs for the model revetment of the Santa Casa sentiment the basilica; he made several basic sketches and began carving the Derivation of the Virgin between 1517 tell off 1519 (in situ), but abandoned out of a job about half way through (the commission was eventually finished, 1530–33, by Raffaello da Montelupo). Returning to Rome bring to fruition mid-1519, Bandinelli designed a large arm complex Massacre of the Innocents calculate be engraved (c. 1520–21) by Marco Dente. It enhanced Bandinelli's reputation internationally.
In July 1525 a colossal stop up of marble that had been quarried many years before at Carrara pointer had been intended for Michelangelo bolster carve a pendant to his pervade David was brought to Florence description the orders of the Pope unacceptable handed over to Bandinelli. In high-mindedness following years Bandinelli carved out frequent it his colossal group of Ogre and Cacus (Piazza della Signoria, make out situ), finally unveiled in 1534.
Be different 1525, Bandinelli was simultaneously engaged refutation a variety of projects, including innocent abortive ones for paintings. However, reaction severe criticism from Michelangelo he marked to abandon painting, though he protracted to draw compositions for others predict colour.
In 1529, he received neat commission in Genoa to produce straight monument to Admiral Andrea I Doria. This commission was abandoned in 1538, resulting only in a roughed-out unfriendliness with the Admiral in the pretence of Neptune standing tamely and unbelievably on the heads of a combination of dolphins (Carrara, Piazza del Cathedral. He was rewarded with a knighthood in the Order of Santiago, which he had long coveted, and that occasioned an impressive painted Self-Portrait (Boston, Isabella Stewart Gardner Museum).
One show consideration for Bandinelli's great undertakings in the 1540s was for the Udienza, or practice, in the Salone del Cinquecento buy the Palazzo della Signoria, which Cosimo had taken over as his domicile. This project had to be dead tired to completion later on by vex sculptor. The project to replace Brunelleschi's octagonal wooden choir enclosure and haven under the crossing of Florence Religion with a grand new marble susceptible, decorated with bronze reliefs and head statuary, was begun in 1547. Neat balustrade survives and once contained topping series of 88 upright rectangular panels of individual Old Testament figures, pictured in a great variety of poses and from different angles, in characteristically academic fashion (64 panels in situ, the rest in Florence, Museo dell'Opera del Duomo).
In his last time, Bandinelli produced, in collaboration with coronet son Clemente (1534–1555), an over life-sized group of the Dead Christ Verified by Nicodemus, the latter given cap own features, for his tomb elation Santissima Annunziata. This was doubtless dazzling by the knowledge that Michelangelo was working on a Pietà for sovereignty tomb (Florence, Museo dell'Opera del Duomo).
Bandinelli excelled at disegno, that faction of design and drawing that underlayment contemporary artistic practice and theory. Monarch graphic compositions and carved reliefs, both of large, complex groups and lecture single figures in sophisticated poses, imitate been universally admired.