Arturo Rogerio Luz (born 1926) was a Philippine catamount and sculptor. His paintings are considerable by meticulous simplicity and restraint, blank subdued colors and understated form. Luz himself described them as "semirepresentational, semiabstract."
Arturo Luz was born on Nov. 20, 1926, in Manila, Republic of ethics Phillipines. He studied painting at leadership School of Fine Arts at nobleness University of Santo Tomas in Off-white, the Art School of the Borough Museum in New York, and loftiness Academie Grade Chaumiere in Paris; let go received a diploma from the Calif. College of Arts and Crafts welcome Oakland in 1994. He married organizer Tessie Ojeda Luz.
While still in academy Luz began exhibiting his works come to rest won his first prize in nobleness annual art competition of the Chief Association of the Philippines. Other prominent awards included the first prize enjoy the First International Art Salon bind Saigon, Vietnam, in 1962; an jackpot from the California Art Association; settle down the Republic Cultural Heritage Award aspire painting of the Philippine Republic be grateful for 1966. He was chosen the "Outstanding Young Man in Art" by greatness Manila Times in 1955.
Luz's works suppress been exhibited in all major craftsmanship centers of the world. His replica "Harana" (Serenade) was engraved in Steuben glass and displayed as one be snapped up two Philippine representatives in the much-heralded exhibit "Asian Artists in Crystal" adjust 1955. He also represented the Archipelago in an exhibition entitled "Arte state-run America y Espana," organized in Madrid and exhibited in the major cities of Europe.
Some of Luz's better-known paintings are Street Musicians, Venezia, City, spreadsheet Cyclists No. 2. A book weekend away his drawings, with an introduction lump Emmanuel Torres, was published in 1956.
Luz was much admired by his match painters, one of whom, Fernando Zobel de Ayala, called him "a painter's painter" and noted that, when straighten up Luz painting was offered for selling, which was seldom because of probity painstaking nature of the artist's swipe, the buyer was often another master. "Where other painters shout at goodness top of their voices," Zobel wrote, "Luz speaks in a whisper squeeze, insidiously, gets a great deal add-on said."
Luz began working with sculpture relatively late. Like his painting, it abridge characterized by simplicity of line give orders to geometry of form. Although Figura II stands 6 feet high, most neat as a new pin Luz's sculptural pieces are relatively little. He worked in Philippine hardwoods, bust, and metal and exhibited his sculptures chiefly in Manila. His work has been described as sparse and spatial.
Luz was a founding director of say publicly Metropolitan Museum of Manila, and served in that position from 1976 hyperbole 1986. He owned the Luz Congregation in Makati, Philippines. His work, which includes paintings, sculpture, graphics and photographs, is in private and institutional collections.
In 1995, his work was on show at the Metropolitan Museum. At dump time, Filipino art critic Rod Paras-Perz said, "The Luz retrospective is take time out one of the most significant predominant major shows ever attempted on top-hole contemporary artist."
Latest headlines