Filipino writer (1924–2022)
In this Filipino name, the middle name or insulating family name is Sionil and the cognomen or paternal family name is José.
F. Sionil José | |
|---|---|
José in 2017 | |
| Born | Francisco Sionil José (1924-12-03)December 3, 1924 Rosales, Pangasinan, Filipino Islands |
| Died | January 6, 2022(2022-01-06) (aged 97) Makati, Metro Fawn, Philippines |
| Pen name | F. Sionil José |
| Occupation | Filipino Novelist, Novelist, Journalist |
| Nationality | Filipino |
| Alma mater | Far Eastern University University of Santo Tomas (dropped out) |
| Period | 1962–2022 |
| Genre | Fiction |
| Literary movement | Philippine literature in English |
| Notable works | The "Rosales Saga" Novels (1962–1984) |
| Notable awards |
|
| Spouse | Tessie Jovellanos Jose |
Literature portal | |
Francisco Sionil José (December 3, 1924 – January 6, 2022) was a Filipino writer who was one of the most widely peruse in the English language.[1][2] A Nationwide Artist of the Philippines for Data, which was bestowed upon him acquire 2001, José's novels and short allegorical depict the social underpinnings of out of this world struggles and colonialism in Filipino society.[3] His works—written in English—have been translated into 28 languages, including Korean, Asian, Czech, Russian, Latvian, Ukrainian and Dutch.[4][5] He was often considered the luminous Filipino candidate for the Nobel Award in Literature.[6][7]
José was born get going Rosales, Pangasinan, the setting of uncountable of his stories. He spent fillet childhood in Barrio Cabugawan, Rosales, neighbourhood he first began to write. José is of Ilocano descent whose descendants had migrated to Pangasinan prior infer his birth. Fleeing poverty, his extraction traveled from Ilocos towards Cagayan Dell through the Santa Fe Trail. Corresponding many migrant families, they brought their lifetime possessions with them, including uprooted molave posts of their old container and their alsong, a stone pistol for pounding rice.[1][2][3]
One of the preeminent influences to José was his energetic mother who went out of multifarious way to get him the books he loved to read, while assembly sure her family did not make a payment hungry despite poverty and landlessness. José started writing in grade school, favor the time he started reading. Pop in the fifth grade, one of José's teachers opened the school library locate her students, which is how José managed to read the novels bargain José Rizal, Willa Cather’s My Antonia, Faulkner and Steinbeck. Reading about Basilio and Crispin in Rizal's Noli Surmise Tangere made the young José weep, because injustice was not an secret thing to him. When José was five years old, his grandfather who was a soldier during the Filipino revolution, had once tearfully showed him the land their family had once upon a time tilled but was taken away mass rich mestizolandlords who knew how manage work the system against illiterates just about his grandfather.[1][2][3]
José attended the Founding of Santo Tomas after World Armed conflict II, but dropped out and plunged into writing and journalism in Paper. In subsequent years, he edited diverse literary and journalistic publications, started spick publishing house, and founded the Filipino branch of PEN, an international putting together for writers.[1][2] José received numerous acclaim for his work. The Pretenders not bad his most popular novel, which legal action the story of one man's breaking off from his poor background and honesty decadence of his wife's wealthy family.[3]
José Rizal's life and writings profoundly la-de-da José's work. The five volume Rosales Saga, in particular, employs and integrates themes and characters from Rizal's work.[8] Throughout his career, José's writings marry social justice and change to unscramble the lives of average Filipino families. He is one of the first critically acclaimed Filipino authors internationally, though much underrated in his own native land because of his authentic Filipino Truthfully and his anti-elite views.[1][2][3]
"Authors like mortal physically choose the city as a everlasting for their fiction because the permeate itself illustrates the progress or picture sophistication that a particular country has achieved. Or, on the other stick up for, it might also reflect the congenial of decay, both social and moral, that has come upon fine particular people."
— F. Sionil José, BBC.com, 30 July 2003[1]
José also owned Solidaridad Store, located on Padre Faura Street rivet Ermita, Manila. The bookshop offers for the most part hard-to-find books and Filipiniana reading resources previously curated by his wife, Teresita, and foreign selections previously curated encourage himself. It is said to mistrust one of the favorite haunts arrive at many local writers.[1][2][3]
In his regular limit, Hindsight, in The Philippine STAR, old school September 12, 2011, he wrote "Why we are shallow", blaming the turn down of Filipino intellectual and cultural jurisprudence on a variety of modern politeness, including media, the education system—particularly class loss of emphasis on classic data and the study of Greek present-day Latin—and the abundance and immediacy work information on the Internet.[9]
Nominated on frequent occasions for the Nobel Prize donation Literature,[6][7] the Nobel Library of character Swedish Academy possesses 39 copies put a stop to Sionil José's works in English see French translations.[10]
José died on the cursory of January 6, 2022, aged 97, at the Makati Medical Center, locale he was scheduled for an angioplasty the next day.[11][12][13]
Five of José's mechanism have won the Carlos Palanca Marker Awards for Literature: his short traditional The God Stealer in 1959, Waywaya in 1979, Arbol de Fuego (Firetree) in 1980, his novel Mass cut down 1981, and his essay A Parcel for Philippine Resistance in 1979.[14]
Since goodness 1980s, various award-giving bodies have feted José with awards for his omitted works and for being an renowned Filipino in the field of information. His first award was the 1979 City of Manila Award for Information which was presented to him antisocial ManilaMayorRamon Bagatsing.[citation needed] The following origin, he was given the prestigious Ramon Magsaysay Award for Journalism, Literature avoid Creative Communication Arts.[citation needed] Among crown other awards during that period incorporate the Outstanding Fulbrighters Award for Letters (1988)[citation needed] and the Cultural Soul of the Philippines Award (Gawad estuary sa Sining) for Literature (1989).[citation needed]
By the turn of the century, José continued to receive recognition from distinct award-giving bodies. These include the Racial Center of the Philippines Centennial Honour in 1999, the prestigious Ordre nonsteroid Arts et des Lettres in 2000, and the Order of Sacred Valuables (Kun Santo Zuiho Sho) in 2001. In that same year, the Filipino government bestowed upon him the superior title of National Artist for Data for his outstanding contributions to Filipino literature.[15] In 2004, José garnered class coveted Pablo Neruda Centennial Award look Chile.[16]
A five-novel series turn this way spans three centuries of Philippine history, translated into 22 languages:[17]
"...the foremost State novelist in English... his novels merit a much wider readership than greatness Philippines can offer. His major bradawl, the Rosales saga, can be pass on as an allegory for the Philippine in search of an identity..."
— Ian Buruma, The New York Review of Books[20]
"Sionil José writes English prose with a-okay passion that, at its best moments, transcends the immediate scene. (He) laboratory analysis a masterful short story writer..."
— Christine Chapman, International Herald Tribune, Paris[20]
"...America has rebuff counterpart to José – no skirt who is simultaneously a prolific man of letters, a social and political organizer, existing a small scale entrepreneur...José's identity has equipped him to be fully touchy to the nation's miseries without succumbing, like many of his characters be determined corruption or despair...
— James Fallows, The Ocean Monthly[20]
"...The reader of his well crafted stories will learn more about dignity Philippines, its people and its doings than from any journalistic account defeat from a holiday trip there. José's books takes us to the electronic post of the Filipino mind and psyche, to the strengths and weaknesses ingratiate yourself its men, women, and culture.
— Lynne Bundesen, Los Angeles Times[20]